Title: How Christophe Cherix Welcomed a Cuban Master Back to MoMA In an era where art has no boundaries, it’s not surprising that museums are reaching out across continents to bring masterpieces from different cultures under one roof. The Museum of Modern Art (MoMA) in New York is no exception. Recently, the institution managed to secure a significant piece by Cuban artist Wifredo Lam for its collection despite initial reluctance from Cuba itself. The story behind this remarkable feat begins with Christophe Cherix, who took over as director of MoMA’s Department of Drawings and Prints in 2015. He was determined to bring back the works of Wifredo Lam, a Cuban artist whose influence on modern art cannot be understated but had been absent from MoMA for years due to political tensions between Cuba and the United States. Cherix’s tenacity paid off when he managed to convince Cuba to lend one of its most prized possessions – “The Tropical Version,” a painting by Wifredo Lam, which is considered as an iconic representation of Cuban art. This marked the beginning of what would become a global survey featuring works from various countries around the world. This development signifies more than just another addition to MoMA’s collection; it represents a significant step towards bridging cultural gaps and fostering international cooperation in the field of arts. It also highlights how art can serve as a diplomatic tool, transcending political boundaries and bringing people together through shared appreciation for beauty and creativity. The potential implications of this move are vast. By showcasing works from different cultures, MoMA is not only enriching its own collection but also promoting cultural exchange on an international level. This could lead to increased interest in lesser-known artists and styles, thus expanding the horizons of contemporary art. In conclusion, Christophe Cherix’s efforts to bring Wifredo Lam back to MoMA are a testament to his commitment towards diversifying the museum’s collection and promoting global unity through art. His actions remind us that despite political tensions, there is always room for collaboration when it comes to celebrating human creativity and expression. As we continue to navigate our increasingly interconnected world, let us hope that more institutions follow suit in embracing diversity and fostering cultural understanding through the universal language of art.
Source: [Original Article](https://www.nytimes.com/2025/09/17/arts/design/christophe-cherix-moma-director-cuba-wifredo-lam.html)
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