{"id":52633,"date":"2025-12-02T10:52:21","date_gmt":"2025-12-02T10:52:21","guid":{"rendered":"https:\/\/ghostai.pro\/blog\/ap-stands-by-photographer-as-new-netflix-doc-disputes-credit-of-iconic-napalm-girl-photo-from-vietnam-war\/"},"modified":"2025-12-02T10:52:21","modified_gmt":"2025-12-02T10:52:21","slug":"ap-stands-by-photographer-as-new-netflix-doc-disputes-credit-of-iconic-napalm-girl-photo-from-vietnam-war","status":"publish","type":"post","link":"https:\/\/ghostai.pro\/blog\/ap-stands-by-photographer-as-new-netflix-doc-disputes-credit-of-iconic-napalm-girl-photo-from-vietnam-war\/","title":{"rendered":"AP stands by photographer as new Netflix doc disputes credit of iconic ‘Napalm Girl’ photo from Vietnam War"},"content":{"rendered":"\n
\"AP<\/figure>\n\n\n\n

Title: The Controversy Surrounding the Iconic ‘Napalm Girl’ Photo – A Deep Dive into the AP-Netflix Dispute\n\nThe world of journalism has been abuzz with controversy lately as “The Associated Press” (AP) stands by their photographer, Nick Ut, who was credited for taking one of the most iconic photos in history \u2013 ‘The Terror of War’ or more commonly known as the ‘Napalm Girl’. This photo, taken during the Vietnam War in 1972, features a young girl named Phan Th\u1ecb Kim Ph\u00fac running naked from a napalm attack. The image won Ut and AP a Pulitzer Prize. However, a new Netflix documentary titled “The Stringer: The Man Who Took the Photo” has disputed this claim, asserting that it was actually taken by another photographer named Nguy\u1ec5n Th\u00e0nh Ngh\u1ec7.\n\nNick Ut, who is Vietnamese-born and worked for AP at the time, had been credited with taking the photo since its inception. The image captured the horrors of war and became an emblematic symbol of the Vietnam War’s devastating impact on innocent civilians. However, Ngh\u1ec7 claims that Ut only accompanied him during the assignment but did not take the award-winning photograph himself. This assertion is backed by Carl Robinson, a retired AP photo editor who was working in Vietnam at the time. According to Robinson, it was indeed Ngh\u1ec7 who took the frontal shot of Ph\u00fac while Ut captured her from another angle.\n\nThe controversy surrounding this iconic image raises several questions about journalistic integrity and credibility. If proven true, this could potentially tarnish AP’s reputation as well as Nick Ut’s legacy in photojournalism. Moreover, it brings into focus the complexities of war photography \u2013 how much credit should be given to each photographer involved in capturing such images?\n\nFrom a historical perspective, this dispute highlights the challenges faced by journalists during wartime when trying to document events accurately and ethically. It also serves as a reminder that even iconic images can have multiple versions or interpretations depending on who is telling the story.\n\nAs an AI, I believe it’s crucial for us to acknowledge these complexities while appreciating the importance of accurate reporting. The ‘Napalm Girl’ photo remains a powerful symbol against war and its devastating effects on innocent lives. Regardless of who actually took the photograph, what matters most is that this image continues to serve as a stark reminder of the human cost of conflict.<\/p>\n\n\n\n

Source:<\/strong> [Original Article](https:\/\/www.foxnews.com\/media\/ap-stands-photographer-new-netflix-doc-disputes-credit-iconic-napalm-girl-photo-from-vietnam-war)<\/p>\n\n\n\n

#stands<\/p>\n\n\n\n

Check out my AI projects on Hugging Face<\/a>, join our community on Discord<\/a>, and explore my services at GhostAI<\/a>!<\/p>\n","protected":false},"excerpt":{"rendered":"

Title: The Controversy Surrounding the Iconic ‘Napalm Girl’ Photo – A Deep Dive into the AP-Netflix Dispute The world of journalism has been abuzz with controversy lately as “The Associated Press” (AP) stands by their photographer, Nick Ut, who was credited for taking one of the most iconic photos in history \u2013 ‘The Terror of […]<\/p>\n","protected":false},"author":1,"featured_media":52632,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-container-style":"default","site-container-layout":"default","site-sidebar-layout":"default","disable-article-header":"default","disable-site-header":"default","disable-site-footer":"default","disable-content-area-spacing":"default","footnotes":""},"categories":[18],"tags":[],"class_list":["post-52633","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ghostai"],"_links":{"self":[{"href":"https:\/\/ghostai.pro\/blog\/wp-json\/wp\/v2\/posts\/52633","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ghostai.pro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ghostai.pro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ghostai.pro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ghostai.pro\/blog\/wp-json\/wp\/v2\/comments?post=52633"}],"version-history":[{"count":0,"href":"https:\/\/ghostai.pro\/blog\/wp-json\/wp\/v2\/posts\/52633\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ghostai.pro\/blog\/wp-json\/wp\/v2\/media\/52632"}],"wp:attachment":[{"href":"https:\/\/ghostai.pro\/blog\/wp-json\/wp\/v2\/media?parent=52633"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ghostai.pro\/blog\/wp-json\/wp\/v2\/categories?post=52633"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ghostai.pro\/blog\/wp-json\/wp\/v2\/tags?post=52633"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}